Portable Microphone Preamplifier

High headroom input circuitry, 9V Battery operation

This circuit is mainly intended to provide common home stereo amplifiers with a microphone input. The battery supply is a good compromise: in this manner the input circuit is free from mains low frequency hum pick-up and connection to the amplifier is more simple, due to the absence of mains cable and power supply. Using a stereo microphone the circuit must be doubled. In this case, two separate level controls are better than a dual-ganged stereo potentiometer. Low current drawing (about 2mA) ensures a long battery life.

Circuit Operation:

The circuit is based on a low noise, high gain two stage PNP and NPN transistor amplifier, using DC negative feedback through R6 to stabilize the working conditions quite precisely. Output level is attenuated by P1 but, at the same time, the stage gain is lowered due to the increased value of R5. This unusual connection of P1, helps in obtaining a high headroom input, allowing to cope with a wide range of input sources (0.2 to 200mV RMS for 1V RMS output).

Circuit diagram:

Portable Microphone Preamplifier Circuit Diagram

Parts:

P1 = 2.2K
R1 = 100K
R2 = 100K
R3 = 100K
R4 = 8.2K
R5 = 68R
R6 = 6.8K
R7 = 1K
R8 = 1K
R9 = 150R
C1 = 1uF-63V
C2 = 100uF-25V
C3 = 100uF-25V
C4 = 100uF-25V
C5 = 22uF-25V
Q1 = BC560
Q2 = BC550

Notes:

• Harmonic distortion is about 0.1% @ 1V RMS output (all frequencies).
• Maximum input voltage (level control cursor set at maximum) = 25mV RMS
• Maximum input voltage (level control cursor set at center position) = 200mV RMS
• Enclosing the circuit in a metal case is highly recommended.
• Simply connect the output of this device to the Aux input of your amplifier through screened cable and suitable connectors.

Source : www.redcircuits.com

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Ultra Simple Microphone Preamplifier

This little project came about as a result of a design job for a client. One of the items needed was a mic preamp, and the project didnt warrant a design such as the P66 preamp, since it is intended for basic PA only. Since mic preamps are needed by people for all manner of projects, this little board may be just whats needed for interfacing a balanced microphone with PC sound cards or other gear. Unlike most of my boards, this one is double-sided. I normally avoid double-sided PCBs for projects because rework by those inexperienced in working with them will almost certainly damage the board beyond repair. I consider this not to be an issue with this preamp, because it is so simple. It is extremely difficult to make a mistake because of the simplicity.

Photo of Completed Board

As you can see, the board uses a PCB mounted XLR connector and pot, so is a complete mic preamp, ready to go. Feel free to ignore the terminals marked SW1 (centred between the two electrolytic supply caps), as they are specific to my clients needs and are not useful for most applications. The original use was to use them for a push-button switch that activated an audio switch via a PIC micro-controller. They are not shown on the schematic.

The DC, GND and output terminals may be hard wired to the board, you may use PCB pins or a 10-way IDC (Insulation Displacement Connector) and ribbon cable. Power can be anything between +/-9V and +/-18V with an NE5532 opamp. The mic input is electronically balanced, and noise is quite low if you use the suggested opamp. Gain range is from about 12dB to 37dB as shown. It can be increased by reducing the value of R6, but this should not be necessary. Because anti-log pots are not available, the gain control is not especially linear, but unfortunately in this respect there is almost no alternative and the same problem occurs with all mic preamps using a similar variable gain control system.

Figure 1 - Preamp Schematic

The circuit is quite conventional, and if 1% metal film resistors are used throughout it will have at least 40dB of common mode rejection with worst-case values. The input capacitors give a low frequency rolloff of -3dB at about 104Hz. If better low frequency response is required, these caps may be increased to 4.7uF or 10uF bipolar electrolytics. These will give response to well below 10Hz if you think youll ever need to go that low.

The project PCB measures 77 x 24mm, and the mounting centers for the pot and XLR connector are spaced at 57mm. If preferred, a traditional chassis mounted female XLR can be used, and wired to the board with heavy tinned copper wire. The PCB pads for the connector are in the correct order for a female chassis mount socket mounted with the "Push" tab at the top.

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Balanced Microphone Preamplifier

The preamplifier is intended for use with dynamic (moving coil–MC) microphones with an impedance up to 200 Ω and balanced terminals. It is a fairly simple design, which may also be considered as a single stage instrument amplifier based on a Type NE5534 op amp. To achieve maximum common-mode rejection (CMR) with a balanced signal, the division ratios of the dividers (R1-R4 and R2-R5 respectively) at the inputs of the op amp must be identical. Since this may be difficult to achieve in practice, a preset potentiometer, P1, is connected in series with R5. The preset enables the common-mode rejection to be set optimally. Capacitor C1 prevents any direct voltage at the input, while resistor R7 ensures stability of the amplifier with capacitive loads.

Balanced Microphone Preamplifier Circuit diagram :

Power Supply For Balanced Microphone Preamplifier :

Resistor R3 prevents the amplifier going into oscillation when the input is open circuit. If the microphone cable is of reasonable length, R3 is not necessary, since the parasitic capacitance of the cable ensures stability of the amplifier. It should be noted, however, that R3 improves the CMR from >70 dB to >80 dB. Performance of the preamplifier is very good. The THD+N (total harmonic distortion plus noise) is smaller than 0.1% with an input signal of 1 mV and a source impedance of 50 Ω. Under the same conditions, the signal-to-noise ratio is –62.5 dBA. With component values as specified, the gain of the amplifier is 50 dB (´316). After careful adjustment of P1 at 1 kHz, the CMR, without R3, is 120 dB. The supply voltage is ±15 V. The amplifier draws a current at that voltage of about 5.5 mA. Note the decoupling of the supply lines with L1, L2, C2–C5.

Source : http://www.ecircuitslab.com/2011/06/balanced-microphone-preamplifier.html

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Quality Stereo Wireless Microphone or Audio Link

This stereo FM wireless microphone also makes a great quality audio link. We tested it to beyond 50 meters and it was rock solid. It’s certainly not the first wireless microphone we’ve ever published but this one is a little different. It’s stereo, providing surprisingly good quality sound. Second, it has a really good range. We tested it at well over 50m and it was still performing very well – noise-free, in fact – but at the time we couldn’t get our receiver any further away. So it’s likely to have even better range than that.

Complete Project:

Its easy to build, requires very little setup... and its cheap! In fact, the low price might turn some people off, thinking its low quality. Try it - and be pleasantly surprised!

Third, it really is simple to build – the hard work (the transmitter module) is already done for you. It’s just a matter of assembling the microphone module, which contains the electret mics themselves, preamp and level controls, and soldering the transmitter module onto it, "piggy back" style.

FM Transmitter:

Finally, the transmitter module is crystal-locked, so you won’t have the drift probles of some earlier wireless microphones. And just in case you were wondering, that doesn’t mean the output is locked to one particular frequency – it has a nifty synthesis circuit built in to give you the choice of seven different frequencies between 106.7MHz and 107.7MHz.

On-board preset pots adjust the sensitivity of each channel to take into account mic differences or if you require different levels in each channel.

By the way, the transmitter module is quite capable of operating at line level if you want just a line level transmitter (eg, to feed an audio program around your home). Sensitivity is about 100mV. Oatley Electronics, who designed the kit, have the transmitter module available by itself if that’s what you’re after. But more on that anon.

Parts Layout:

You also have the choice of two power supply levels – 3-6V or 7-15V DC. The latter results in a lower current drain. The transmitter module also has a "5V out" rail to supply power to the preamp module.

Circuit Diagram:

Two electret microphone inserts are supplied in the kit. These can be soldered direct to the PC board to make it a fully self-contained project or they can be attached to the board via suitable lengths of mini shielded coax cable. A third option is to use "proper" microphones – they can be electret or dynamic types – but no provision has been made for plugging these in.

Typical Specifications: 
 
Audio response:.....................20Hz-15kHz.
Channel separation: ........................40dB
Total Harmonic Distortion: ...............0.1%
Output Frequency:...........106.7-107.2MHz
Pre Emphasis: ..................................50μS
DC supply voltage range: ................3-15V
Supply Current: .......................30mA @ 9V

Source: http://www.ecircuitslab.com/2011/06/quality-stereo-wireless-microphone-or.html

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