Showing posts with label preamplifier. Show all posts
Showing posts with label preamplifier. Show all posts

Thursday, 10 October 2013

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Posted in Arrangement, Art, Business

Portable Microphone Preamplifier

High headroom input circuitry, 9V Battery operation

This circuit is mainly intended to provide common home stereo amplifiers with a microphone input. The battery supply is a good compromise: in this manner the input circuit is free from mains low frequency hum pick-up and connection to the amplifier is more simple, due to the absence of mains cable and power supply. Using a stereo microphone the circuit must be doubled. In this case, two separate level controls are better than a dual-ganged stereo potentiometer. Low current drawing (about 2mA) ensures a long battery life.

Circuit Operation:

The circuit is based on a low noise, high gain two stage PNP and NPN transistor amplifier, using DC negative feedback through R6 to stabilize the working conditions quite precisely. Output level is attenuated by P1 but, at the same time, the stage gain is lowered due to the increased value of R5. This unusual connection of P1, helps in obtaining a high headroom input, allowing to cope with a wide range of input sources (0.2 to 200mV RMS for 1V RMS output).

Circuit diagram:

Portable Microphone Preamplifier Circuit Diagram

Portable Microphone Preamplifier Circuit Diagram

Parts:

P1 = 2.2K
R1 = 100K
R2 = 100K
R3 = 100K
R4 = 8.2K
R5 = 68R
R6 = 6.8K
R7 = 1K
R8 = 1K
R9 = 150R
C1 = 1uF-63V
C2 = 100uF-25V
C3 = 100uF-25V
C4 = 100uF-25V
C5 = 22uF-25V
Q1 = BC560
Q2 = BC550

Notes:

  • Harmonic distortion is about 0.1% @ 1V RMS output (all frequencies).
  • Maximum input voltage (level control cursor set at maximum) = 25mV RMS
  • Maximum input voltage (level control cursor set at center position) = 200mV RMS
  • Enclosing the circuit in a metal case is highly recommended.
  • Simply connect the output of this device to the Aux input of your amplifier through screened cable and suitable connectors.

Source : www.redcircuits.com

Tuesday, 1 October 2013

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Posted in Arrangement, Art, Business

Ultra Simple Microphone Preamplifier

This little project came about as a result of a design job for a client. One of the items needed was a mic preamp, and the project didnt warrant a design such as the P66 preamp, since it is intended for basic PA only. Since mic preamps are needed by people for all manner of projects, this little board may be just whats needed for interfacing a balanced microphone with PC sound cards or other gear. Unlike most of my boards, this one is double-sided. I normally avoid double-sided PCBs for projects because rework by those inexperienced in working with them will almost certainly damage the board beyond repair. I consider this not to be an issue with this preamp, because it is so simple. It is extremely difficult to make a mistake because of the simplicity.

Ultra-Simple Microphone PreamplifierPhoto of Completed Board

As you can see, the board uses a PCB mounted XLR connector and pot, so is a complete mic preamp, ready to go. Feel free to ignore the terminals marked SW1 (centred between the two electrolytic supply caps), as they are specific to my clients needs and are not useful for most applications. The original use was to use them for a push-button switch that activated an audio switch via a PIC micro-controller. They are not shown on the schematic.

The DC, GND and output terminals may be hard wired to the board, you may use PCB pins or a 10-way IDC (Insulation Displacement Connector) and ribbon cable. Power can be anything between +/-9V and +/-18V with an NE5532 opamp. The mic input is electronically balanced, and noise is quite low if you use the suggested opamp. Gain range is from about 12dB to 37dB as shown. It can be increased by reducing the value of R6, but this should not be necessary. Because anti-log pots are not available, the gain control is not especially linear, but unfortunately in this respect there is almost no alternative and the same problem occurs with all mic preamps using a similar variable gain control system.

Ultra-Simple Microphone Preamplifier circuit diagramFigure 1 - Preamp Schematic

The circuit is quite conventional, and if 1% metal film resistors are used throughout it will have at least 40dB of common mode rejection with worst-case values. The input capacitors give a low frequency rolloff of -3dB at about 104Hz. If better low frequency response is required, these caps may be increased to 4.7uF or 10uF bipolar electrolytics. These will give response to well below 10Hz if you think youll ever need to go that low.

The project PCB measures 77 x 24mm, and the mounting centers for the pot and XLR connector are spaced at 57mm. If preferred, a traditional chassis mounted female XLR can be used, and wired to the board with heavy tinned copper wire. The PCB pads for the connector are in the correct order for a female chassis mount socket mounted with the "Push" tab at the top.

Friday, 12 April 2013

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Posted in Arrangement, Art, Business

Preamplifier for RF Sweep Generator

The RF sweep frequency generator (‘wobbu-lator’) published in the October 2008 difficulty of Elektor has a receiver option that enables the instrument for use as an instantaneous conversion receiver. This receiver does alternatively have a noise floor of best –80 dBm, which in reality will need to have been –-107 dBm to obtain a sensitivity of 1 µV. So, for a just proper receiver sommore acquire is required. A wideband amplifie however, generates a number of additional noisas well and as a consequence is not going to resuin a lot of an growth.  As an test, the author developed a make a selectionive receiver with a bandwidth of about four MHz. Because a achieve of as a minimum 35 dB is required, the preamplifier consists of two amplifying elements. 

The enter amplifier is designed round a dual gate MOSFET, sort BF982. This element produces moderately little noise but pro-vides various achieve. The output stage makes use of a BFR91A for some further achieve. Preamplifiers where both the gate and the drain are tuned steadily fight with comments by means of their  inside capacitance. Here, the drain circuit has a rather low impedance, which prevents this from taking place. In the prototype that used to be tested, the input and output are located at proper perspectives with appreciate to one another to stop inductive coupling (see photo). Despite the high achieve, the amplifier used to be completely steady even with none defensive.  The two air-cored coils in the circuit each encompass four flips and have an interior  diameter  of  6 mm,  constructed from 1-mm diameter silvered copper wire and with a tap after 1 flip.

Circuit diagram :
Preamplifier for RF Sweep Generator Circuit Diagram
 
The amplifier is principally intended for the one hundred forty four MHz beginner band, however with different coils can also be used for the FM broadcast band, as an instance. FM detection is finished via tuning near the brink of the IF filter. At an offset of 15 kHz this is only a few dB lower than on the centre of the pass-band, so that damping just isn't no longericeable. The measured sensitivity within the 2 m band used to be about 1 µV (6 dB).A good antenna always make a contributions to the reception, after all. A wideband (scanner) outside antenna will provide excellent end results. Adding this wobbulator/receiver possibility ends up in a nice reveal receiver. By environment the scan frequencies of the spectrum analyser to a hundred and forty four and 146 MHz (or 148 MHz the place applicable), any signal within this vary is in an instant visible. When a signal is detected it's basically a case of clicking the scan stop button and then clicking on the sign within the display window the usage of the right mouse howeverton. 

After this, the receiver switches instantly to this frequency and that you presumably can be ready to take heed to the signal. You can due to this fact resume the scanning so that that you could be ready to proceed to look for different alerts. For narrowband FM detection you want to make a choice the FMN howeverton in the window for the receiver and this then gives the required offset for the threshold detection at 25 kHz bandwidth. This value is adjustable by the use of the ‘setting’ menu (default is 12,500 Hz) and might be modified experimentally for best possible end results. To energy the circuit you will must use a 9-V battery. It can additionally be possible to power the amplifier immediately from the RF sweep generator, if output capacitor C6 is changed with a link; in the ‘options’ menu you're going to then must make a choice the choice ‘use probe’.

 http://www.ecircuitslab.com/2011/12/preamplifier-for-rf-sweep-generator.html

Wednesday, 10 April 2013

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Posted in Arrangement, Art, Business

Balanced Microphone Preamplifier

The preamplifier is intended for use with dynamic (moving coil–MC) microphones with an impedance up to 200 Ω and balanced terminals. It is a fairly simple design, which may also be considered as a single stage instrument amplifier based on a Type NE5534 op amp. To achieve maximum common-mode rejection (CMR) with a balanced signal, the division ratios of the dividers (R1-R4 and R2-R5 respectively) at the inputs of the op amp must be identical. Since this may be difficult to achieve in practice, a preset potentiometer, P1, is connected in series with R5. The preset enables the common-mode rejection to be set optimally. Capacitor C1 prevents any direct voltage at the input, while resistor R7 ensures stability of the amplifier with capacitive loads.

Balanced Microphone Preamplifier Circuit diagram :




Power Supply For Balanced Microphone Preamplifier :




Resistor R3 prevents the amplifier going into oscillation when the input is open circuit. If the microphone cable is of reasonable length, R3 is not necessary, since the parasitic capacitance of the cable ensures stability of the amplifier. It should be noted, however, that R3 improves the CMR from >70 dB to >80 dB. Performance of the preamplifier is very good. The THD+N (total harmonic distortion plus noise) is smaller than 0.1% with an input signal of 1 mV and a source impedance of 50 Ω. Under the same conditions, the signal-to-noise ratio is –62.5 dBA. With component values as specified, the gain of the amplifier is 50 dB (´316). After careful adjustment of P1 at 1 kHz, the CMR, without R3, is 120 dB. The supply voltage is ±15 V. The amplifier draws a current at that voltage of about 5.5 mA. Note the decoupling of the supply lines with L1, L2, C2–C5.

Source : http://www.ecircuitslab.com/2011/06/balanced-microphone-preamplifier.html

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